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Interview with the swordsmith VOL.1 ~ Malleus Martialis Firenze
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Interview with the swordsmith VOL.1

Malleus Martialis Firenze / edu  / Interview with the swordsmith VOL.1

Interview with the swordsmith VOL.1

We’re back on the blog! Would you like to know about us a little more? This is certainly not an autobiography, but a full interview about our work and obviously our approach to swordsmithing!

After some time, we are ready to share our thoughts and philosophy. Swordsmithing today is a very varied profession, but today like yesterday every swordsmith has his/her own secrets and processes to achieve the ultimate goal:

 

make the best sword ever!

 

Some time ago, we were glad to be interviewed by Hema in Italia, an indipendent project aiming to spread the historical european martial arts culture of Italy.
Why Volume 1? Because we’ll share another interesting interview in the next months, but now:

Let’s start this journey! Have a nice reading.

 


Interview with the swordsmith – hosting Malleus Martialis

Hello, welcome! Who are you and what do you do?
Hi! We are Rodolfo Tanara and Eleonora Rebecchi, respectively smith and designer of Malleus Martialis.
The company was founded in 2014, to craft historical blunt arms and historical cutlery.
How did your career in creating medieval weapons and/or armour begin?
Rodolfo had the idea. For a decade, he had a great passion for everything that revolved around reenactment and swordsmithing. Then, experiencing living history and a renovated approach to historical fencing as a HEMA instructor, he laid the groundwork for the constitution of the company.
What are the greatest difficulties in making a sword?
The greatest challenge is that you have to build a huge know-how, that by the way differs from a swordsmith to another, also depending on the customer base. It may not look like it, but this niche is really varied! We deal with multiple materials, from steel to iron, to non ferrous metals, leather, wood, textiles. We have to be versatile and eclectic: we are smiths, leatherworkers, sometimes goldsmiths, sometimes woodworkers. In the past centuries, the process was more differentiated than today, there was a specialised production line, with highly skilled artisans, each of them in their own workshop.
But the most ambitious aim, for us, is to obtain adequate dynamic properties and improve constructional methods. That’s why research and development are the pillars of our company: we always think that there’s a lot to learn, and to do that, the company invests not only in tools and machines, but also in training and education.
In the world of historical fencing and re-enactment, what are the requests of your customers?
In our experience, reliability and an accurate design.
When it comes to the historical reconstruction of swords, what’s the difference in the making of a historical replica, and a sword made for historical fencing?
They are deeply different, but the design concept, the project philosophy and the dynamic ratios have to actually be similar or adjusted to the purpose.
Outside of the requests of your customers, what would you like to make?
Honestly we make what we love. From the entry-level to the high-end swords, we tend to support the customer during the process, asking a feedback during the creation of the sword, in order to share a successful experience.
How do you see the future of historical fencing and re-enactment?
Thank God, the future of historical fencing is not the future of reenactment.
For years, we have been used to heavy historical fencing tools, very far from the originals, and this has contributed to influence the perception of the sword as an object. We think that the fencer, in both fields, has to be educated and become more aware of his/her instrument, through a careful divulgation. We’re working in this direction, improving the website that now hosts a little educational blog. We also appreciate a lot the aim of this interview.
In the HEMA world, agonism is leading to a healthy sportification of the martial disciplines, also if it’s not completely mature and completely indipendent from some old generation concepts. We hope that the two branches of HEMA, the competitive one and the martial study, will be able to specialise more in their respective fields, and the ones who practice both will have the athletic and mental competences to divide them.
Let’s talk about funnier topics: what was, in the span of your career, the strangest request you’ve ever received?
Truthfully, they are many, and were very frequent when we started. From the self-defense blunt sword against burglars, to the damascus ice cream scoop, to the restoration of a “13th century Tunisian katana”…. But the list is wider than that!
…And what was the best request you’ve ever received?
We received many exciting commissions that pushed us beyond our limits, demanding a big effort in terms of both trials and skills. The point is to always be stimulated to improve ourselves, to no longer simply “craft things” but create art. It’s not easy to hang in balance between these two worlds, but surely the works from our “Armeria” Collection have a place of honour in our emotional history.
Now, a bit of advertisement, why should we buy your products?
As this is a difficult question, we preferred to leave it to some of our customers. A big thanks to them! Here follows a resume of the most representative answers we collected:
Malleus Martialis’ creations have a strong historical matrix, with a factor of realism and performance that is superior than the average. There is a right balance, always suited to the budget. The team is really careful with customer care and always tends to professional and quality improvement.

Conclusion

You did it!
If you survived the wall of text, you’re one of the bravests!
Swordsmithing isn’t only about making tools for fencing, we think that every sword has a soul.
We work every piece by hand so it’s very important to us to share our philosophy with you.
Our first interview ends here but keep up following us for the Volume 2!
We’ll talk about our heritage and roots, because making swords and fighting with them is extremely funny, don’t you think? 🙂
We’d love to hear any thoughts or questions about this topic.
With love,
The MM Team

 

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